#2 are the songs about how the world is a ghetto and the individuals in it suffer in their own way. #1 is that “die mf die mf KILL” style that bugged me at first, but enjoy now. My only gripe is the track listing for some songs, but that’s not the enough to keep it from a 5. Rather than a resurrection, this was a Culmination or J Prince’s experiment, it took a few albums but it is masterful. It’s 1996, Willie D finished his solo album run and is back, Bushwick Bill got shot in the eye and things were “ever so clear” for him now, all puns intended, and Scarface was being included in top 10 hip hop lyricists lists. In their follow ups, they made more spiritual, introspective songs, political songs at the caliber of Public Enemy scattered throughout their ultra violent and nuts-hanging machismo. I figured why be so repulsive if you want people to respect Texas? …but I guess the saying “you got to make 'em fear you before they feel you” holds true. To keep it 100, I was disappointed with the first albums, despite being impressive in their own right, for being over-the-top explicit in every way. He created or encouraged the inception of three rap personas: Willie D, the kickass-type of country brawler who can’t wait to hurt you and clean up your girl, Scarface, the manic depressive dope dealer who singularly could describe the internal pain of the Dope game, and lastly in J’s own words Bushwick Bill, "the clown.” (Hence the Chucky references in the first albums). This inspired Atlanta and Memphis to make independent labels, No Limit, and so on.
The second iteration of the Ghetto Boys-turned-Geto Boys, and most popularly known one, was a movement started by J-Prince, the first independent rap label owner who blazed a trail for Southern Rap artists to sell national records and go platinum with no radio play. This requires something of a history lesson to establish context. To make a proper hip-hip retro review, it’s important to understand two major things in determining when a music artist(s) released a solid album. Scarface has worked steadily through the years, dropping new records and cameos at a feverish pace.Review Summary: Finding their optimal sound, standing in 96’-arguably the most contentious year in hip-hop, and making an album that every region, not just the east and west coast, would respect.and would inspire the South to try harder. Willie D released a solo LP in '00, and Bushwick Bill has put a few albums out as well. The original three got back together in '96 for The Resurrection. Former Convicts emcee Big Mike was added to the fold, and a revamped lineup continued to record. The core group split up in 1993, and all the members embarked on solo careers.
Their 1991 release We Can't Be Stopped contained the breakthrough hit "Mind Playing Tricks On Me," a classic track about drug-induced paranoia.
Fusing fierce production with ultra-hardcore rhymes that casually detailed lifestyles rife with drugs, sex, and murder, they found love in the new but fast-growing Gangsta Rap circuit. They began as the Ghetto Boys back in the mid-1980s, and released debut Grip It! On That Other Level in 1989. A pioneering gangsta crew repping Houston's Fifth Ward, the Geto Boys were the first southern group to find national fame.
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